If you are looking for a mic that focuses on specializing on handling kick drums, floor toms, or bass cabs, you make no mistake by considering Audix D6 and AKG D112. In the price range, these two are immensely popular products, loved by many users due to the superior properties. Well, Audix D6 and AKG D112 are both well-suited for particular instruments, but you need to be aware that they have different characteristics. Now, let us see the comparisons of the two models below!
If you put Audix D6 and AKG D112, you can see that they are roughly of the same size. The height is similar. AKG D112 is a little bit heavier than Audix D6 on paper, but the difference is hardly noticeable on the hand. Furthermore, AKG D112 has been equipped with an integrated flexible mount, which adds a good point in versatility. It can be mounted easily on anything to face any angle.
Both models are also equipped with a cardioid polar pattern. A cardioid polar pattern has been designed to pick up sound signals from the front side. It focuses on sounds that come on-axis, while rejecting off-axis sounds from the sides and rear. However, compared to supercardioid, cardioid’s pick-up angle is relatively wide that it still tolerates some off-axis sounds. It also delivers a more roomy and realistic audio reproduction.
|Audix D6||AKG D112|
|- Type : Dynamic||- Type : Balanced XLR|
|- Polar Pattern : Cardioid||- Polar Pattern : Cardioid|
|- Frequency Response : 30Hz - 15kHz||- Audio frequency bandwidth : 20 to 17000 Hz|
|- Impedance : 280 ohms||- Recommended load impedance : 2000 Ohms|
|- Sensitivity : 0.8 mV/Pa @ 80Hz||- Sensitivity : 1.8 mV/Pa|
As mentioned above, Audix D6 and AKG D112 have different characteristics. In general, Audix D6 is able to capture the punchiest click for bassdrum. It captures more of the beating and action. On the other hand, AKG D112 has deeper and fuller bass, capturing the bounce and resonance well.
Audix D6 comes with a frequency response range of 30 Hz – 15 kHz. It has ground-shaking low-end with superior clarity and attack. The bass reproduction is awesome, but Audix D6 is mostly noted for the chesty sound and snappier high-end. It is able to catch the true weight of the kick, the beating, and delivers the punchiest click when handling bassdrum.
On the other hand, AKG D112 comes with a frequency response range of 20 Hz – 17 kHz. As you can see, the frequency response range is much wider here. This, in effect, allows for improved audio staging and imaging. AKG D112 is able to capture and reproduce lows, mids, and highs accurately. The lower low-frequency reach also allows for enhanced bass performance. The bass is deeper, fuller, more solid, and with more oomph. The specially engineered diaphragm captures bounce and resonance under 100Hz very well. The narrow band presence rise at 4kHz allows you to punch through a dense mix with no or just little EQ. In addition, AKG D112 also offers a very high maximum SPL handling. AKG D112 is able to handle up to 160 dB SPL without any audible distortion. It is very handy for taking care of loud volume levels.
Audix D6 Vs AKG D112
Audix D6 and AKG D112 are both great in their own ways. In general, AKG D112 makes the most versatile approach, thanks to the wide frequency response range and high SPL handling. However, if you seek a mic with the most click for bassdrum, get Audix D6.