Browse Category: MXL

MXL 770 Vs Rode NT1A Comparison

Confused in choosing between MXL 770 vs Rode NT1A? Both of these two options are condenser mics that are quite popular on the market. These condenser mics are loved because of their natural sound and nice presence boost, both of which help to allow vocals to cut through the mix. So, which is the best condenser model that you better choose? Make sure that you read the comparisons below to make the right choice.

MXL 770 Vs Rode NT1A

MXL 770 may have a better edge in terms of design due to the classy, professional look. The black metal grille pairs nicely with the black housing, and the golden font and golden line that circle the housing add a nice elegant touch. This model is slightly shorter and thicker. It is also a little bit heavier. The bundle includes a shock mount which is quite useful for reducing mechanical vibrations.

On the other hand, Rode NT1A has this long, slender shape that is colored in a silver hue with a slight creamish tint – see our previous post about Audio Technica AT2035 vs Rode NT1A. Well, the metallic construction looks professional, but it doesn’t look as classy as MXL 770. Nevertheless, the bundle includes more accessories, such as the shock mount and the wind filter. These accessories are very usable.

Technical Specs

MXL 770Rode NT1A
- Polar Pattern: Cardioid- Polar Pattern : Cardioid
- Frequency Range: 30Hz-20kHz- Frequency Range : 20Hz - 20kHz
- Sensitivity: 15mV/Pa- Sensitivity : -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB
- Output Impedance: 150 ohms- Output Impedance : 100Ω

MXL 770 is equipped with a selectable -10dB pre-attenuation pad and an optional high pass filter at 150 Hz. The pre-attenuation pad is very handy. You can use this feature when recording a particularly loud singer. On the other hand, the high pass filter won’t be used as frequently because it tends to eliminate the natural low-end sound of the mic. This mic requires +48V phantom power.

Rode NT1A does not have any pre-attenuation pad or high pass filter, but the included shock mount and wind filter are good enough for reducing mechanical vibrations and low-frequency wind/breath noise. This mic is compatible with both +24V and +48V phantom power.

So, how do the performance qualities of MXL 770 vs Rode NT1A mics compare? In general, Rode NT1A is indeed better, even though MXL 770 is not bad either.

MXL 770 tends to be very raw-sounding. It captures the vocal nicely. It has good accuracy and natural low-end, so it is especially great for raps. However, it cannot be equalized very much.

On the other hand, Rode NT1A boasts an ultra-low noise level of only 5dBA. It also has a wider frequency response range, and the neutral response means that it doesn’t add much color to the recording. As a result, it can deliver more accurate sounds with impressive cleanliness and clarity. The output can be equalized more extensively. Although it may be too bright for extremely high-pitched and bassy singers, you can adjust the EQ to make it sound better.

MXL 770 Vs Rode NT1A

- Multipurpose small-diaphragm microphone
- Warm sound with extra clarity at the top end
- FET preamp with balanced, transformerless output
- Excellent for vocals, acoustic guitars, pianos, strings and voice-work
- Large 1 inch capsule with gold plated diaphragm
- Cardioid polar pattern
- Self Noise of only 5 dB (A)
- Ultra low noise, transformerless surface mount circuitry

Between these two models, Rode NT1A is the winner. It has better sound quality and versatility. It is more accurate and balanced. The ultra-low noise level is impressive. The neutral response allows you to adjust the EQ more freely.

MXL 770 Vs Blue Yeti Comparison

You are now looking for an affordable yet reliable condenser mic, and you are now confused between MXL 770 vs Blue Yeti. Both of these two mics are awesome, but they have very different features. These mics are designed for different purposes. MXL 770 is the way to go for vocals. Meanwhile, despite the seemingly borderless versatility, Blue Yeti is best for podcasting, dubbing, videoconferencing, and the likes. See the more detailed comparisons below.

MXL 770 Vs Blue Yeti

Design and Construction
MXL 770 is a truly beautiful mic. The black and gold color scheme is very elegant. The housing and grille are colored in black, and the upper part of the housing features a sleek golden lining. The brand and the name of the product are also written in a golden font. The construction is solid and durable. The mic comes with a nice shock mount and a well-padded carrying case. See our previous post about MXL V67G vs MXL 770 here.

Inside the mic, there is a 6-micron gold-sputtered low-distortion diaphragm for warm and clear sound. It also features a FET preamp with a balanced transformerless output. This mic requires +48V phantom power. Just like most other vocal mics, MXL 770 sports a cardioid polar pattern.

On the other hand, Blue Yeti is made to be an all-purpose portable mic. It needs to connect to a power source if you want to use it, but it can be powered by a USB connection so that you can simply plug it to your laptop or desktop computer. The overall size is slim and compact, and the mic is readily integrated to a nice adjustable stand. It is equipped with a tri-capsule array, and the polar pattern is adjustable with four options: cardioid, stereo, bidirectional, and omnidirectional.

Technical Specs

MXL 770Blue Yeti
- Polar Pattern: Cardioid- Polar Patterns: cardioid, bidirectional, omnidirectional, stereo
- Frequency Range: 30Hz-20kHz- Frequency Response: 20Hz - 20kHz
- Sensitivity: 15mV/Pa- Sample Rate: 48kHz

As mentioned in the beginning, MXL 770 vs Blue Yeti mics have different pros and cons that make them more suitable for different purposes. MXL 770 comes with a wider frequency range which goes from 30 Hz to 20 kHz. So, it is able to capture more accurate sound signals. Despite being considered as an entry-level mic, MXL 770 offers great overall performance. It produces natural low-end sound and crisp high-end. The crispness and clarity make it a great mic for rapping and female vocals. It is also great for podcasting and recording instruments.

On the other hand, Blue Yeti has a narrower frequency response range of 40 Hz – 18 kHz. Nevertheless, this is a very good mic. It is solid, stable, and convenient. If you hate the whole XLR setup and prefer a plug-and-play solution, this mic is the answer. The mute button and zero-latency headphone jack will be very handy at times.

Blue Yeti is a jack of all trades; it can be used for various tasks and deliver good results. But there are still some things to consider. First, it is extremely sensitive that it will pick up everything, including wind and breathing noise. Second, it does not have a good place to connect a pop filter.

MXL 770 Vs Blue Yeti

- Multipurpose small-diaphragm microphone
- Warm sound with extra clarity at the top end
- FET preamp with balanced, transformerless output
- Tri-capsule array - 3 condenser capsules can record almost any situation
- Multiple pattern selection - cardioid, bidirectional, omnidirectional & stereo
- Gain control, mute button, zero-latency headphone output.

If you are going to use the mic primarily for vocals or instruments, MXL 770 would be better. The overall performance is better, especially for rapping, female vocals, and people with high voices. The natural low-end sound is great. However, Blue Yeti can be the alternative if you need a versatile mic for podcasting, dubbing, videoconferencing, or if you simply prefer a plug-and-play mic.

MXL V67G Review: The Dark and Warm Versatile Condenser Mic

So, are you currently looking for an affordable condenser mic that can be reliable and versatile for both vocals and instruments? MXL V67G can be the answer for you! Although it is primarily used for vocals, it actually has very flexible and versatile tonal characteristics that make it also suitable for some musical instruments, such as acoustic guitars. And, quite surprisingly, as a condenser microphone, MXL V67G sounds warm and somewhat dark. You will fall in love with its smooth and sweet sound!

MXL V67G Review The Dark and Warm Versatile Condenser Mic

MXL V67G is already unique and distinctive from the looks alone. No, it is not your typical on-stage mic; it comes boldly with a green finish on its body and a golden yellow finish on its grille. Such design is very eye-catching. It looks cool and fancy. With its appearance, it will add a ‘bling’ factor to any recording set. The construction is made of a metallic material, and actually you can feel it to be quite solid in your hands. However, condenser mics are known to be not the most rugged mics of the world, and MXL V67G is not different. While the housing is quite durable, the internal components are still prone to impact. So, you need to make sure that the mic doesn’t get abused way too much. Fortunately, MXL V67G comes in a padded box that you can use to protect the mic against impact during travel.

MXL V67G is a pressure gradient condenser mic that is armed with a large 32-mm condenser capsule and a 6-micron gold-sputtered density diaphragm. The mic is powered by a Class A FET circuitry, and it has a solid state transformer output. As a condenser mic, it is just natural for MXL V67G to require phantom power. In order for the mic to function, it requires 48V (+/- 4V) phantom power. However, this should not be an issue because most mixing consoles and mic pre-amplifiers nowadays have already been designed to supply the phantom power needed by condenser mics.


- Large 32mm pressure gradient condenser capsule - Gold-sputtered, 6 micron density diaphragm - Solid state preamp balanced transformer output - MXL-57 isolation shock mount available

Most condenser mics are often associated with bright and crisp sounds. However, this is not necessarily true for MXL V67G. You may be surprised to find it actually sounding dark and warm. Even so, it has not completely abandoned the qualities of a condenser mic. With an extended frequency response range of 30 Hz – 20 kHz, MXL V67G is able to reproduce lows, mids, and highs very well. Each note is delivered fully and accurately. The output has exceptional clarity. So, do not expect MXL V67G as a muddy, warm mic; it is warm and crystal-clear. Such characteristics will make vocals very sweet and pleasant to the ears.

MXL V67G also has a decent level of sensitivity and high maximum SPL handling. These, combined with the wide frequency response range, greatly widen the mic’s versatility. In fact, it has been widely used for some musical instruments as well, primarily acoustic guitars. The mic includes a stand adapter for easy mounting.

Specifications of MXL V67G
1.3 lbs / 589.67 g
47 mm x 184 mm /1.85 inches x 7.24 inches
Metal Finish:
Green with gold grill
Pressure gradient condenser
6-micron gold-sputtered diaphragm
Capsule Size:
32 mm / 1.26 inches
Polar pattern:
15 mV/Pa
Frequency Response Range:
30Hz – 20kHz
200 ohms
S/N Ratio:
74 dB
Equivalent noise:
20 dB (A-weighted)
Max SPL for 0.5% THD:
130 dB
Power Requirements:
Phantom Power 48 V (+/- 4 V)

Pros of MXL V67G
– Extended frequency response range suitable for a wide range of purposes
– Warm, smooth, and pleasant audio reproduction
– High SPL handling capability
– Compact and lightweight
– Nice distinctive ‘bling’ design
– Very affordable and budget-friendly

Price of MXL V67G
Check the best price of MXL V67G here!

MXL V67G Vs MXL 770 Comparison

If you are looking for a truly decent and reliable condenser microphone at a reasonable, affordable price point, you should take a look at MXL microphone models. MXL mics are hugely popular on the market due to the excellent performance they offer as well as their budget-friendly prices. MXL V67G and MXL 770 are two products that often cause people to get confused. MXL V67G and MXL 770 are available in a similar price range – you can get either of them with a budget under a hundred bucks – yet, each of the two products has each own distinctive characteristics. So, what are the differences between MXL V67G and MXL 770?


MXL V67G comes with a black body and golden grille, while MXL 770 is predominantly black and with a golden font. Putting the two models side by side, we can then see that MXL V67G is slimmer but taller than MXL 770. MXL V67G is also slightly heavier than MXL 770, but the difference is trivial and neglectable. Both are very lightweight. Even so, MXL V67G and MXL 770 are best used with a stand and a shock mount in order to reduce the handling noise. Both MXL V67G and MXL 770 have a cardioid polar pattern. They pick up sounds the best from the front, while attenuating the sides and especially the rear.

Technical Specs

- Type: Pressure gradient condenser mic- Type: Pressure gradient condenser microphone
- Diaphragm: 6 micron gold-sputtered- Diaphragm: 6 micron gold-sputtered
- Capsule Size: 32mm/1.26in.- Capsule Size: 22mm/.87 in.
- Frequency Response: 30Hz - 20kHz- Frequency Range: 30Hz-20kHz
- Sensitivity: 15 mV/Pa- Sensitivity: 15mV/Pa
- Impedance: 200 ohms- Output Impedance: 150 ohms
- Equivalent Noise: 20 dB (A-weighted IEC 268-4)- Equivalent Noise: 20dB (A weighted IEC 268-4)
- S/N Ratio: 74 dB (Ref. 1 PA A-weighted)- S/N Ratio: 74dB (Ref. 1Pa A-weighted)
- Max SPL for .5% THD: 130 dB- Max SPL for 0.5% THD 137dB
- Power Requirements: Phantom Power 48V (+/- 4V)- Power Requirements: 48V phantom power (+/- 4V)

Output Quality
It is interesting that MXL V67G and MXL 770 actually have the same frequency response range. Their frequency response range is 30 Hz – 20 kHz. In general, the two mics can capture similar lows, mids, and highs with decent accuracy. They also have a similar sensitivity level of 15 mV/Pa, and a self-noise level of 20 dBA. These mics are very sensitive. Hence, you should use these mics in a controlled environment, where you can eliminate every possible noise source so that the mic will not capture any unwanted sound wave.

However, due to the slightly different internal designs, MXL V67G and MXL 770 sound quite differently from each other. MXL V67G, with a bigger capsule and a bigger impedance, generally delivers brighter tones. The audio reproduction is bright, clear, and crisp. Meanwhile, MXL 770, with smaller capsule and impedance, typically sounds relatively warmer and smoother.

The next difference between the two models that you need to be aware of is the included features. MXL 770 comes with a pre-attenuation pad and a high-pass filter, two features that MXL V67G lacks. The pre-attenuation pad can be set to -10 dB, allowing you to handle louder sounds up to 147 dB at 0.5% THD. Meanwhile, the high-pass filter functions can be turned on to attenuate low-frequency noise such as breath sounds, wind sounds, and mechanical vibrations.

MXL V67G Vs MXL 770

- Large 32mm pressure gradient condenser capsule
- Gold-sputtered, 6 micron density diaphragm
- Solid state preamp balanced transformer output
- MXL-57 isolation shock mount available
- Gold-sputtered, 6-micron, low distortion diaphragm
- FET preamp with balanced output
- Switchable bass cut and -10dB pad
- Legendary MXL sonic characteristics

In general, MXL 770 may seem to be a better value for the money, as the extra features of pre-attenuation pad and high-pass filter can be very handy and beneficial in usage. However, if you prefer a brighter mic, then you should choose MXL V67G.

MXL 770 Vs AT2020 Comparison

The prices of MXL 770 and Audio-Technica AT2020 on the market are quite similar to each other. As the two products are both condenser microphones, a lot of potential buyers often get confused in choosing between them. Neither MXL nor Audio-Technica should be underestimated, as these companies have manufactured various high-quality products that have received a lot of positive responses from the users. So, what are the differences between MXL 770 and Audio-Technica AT2020? Which is the mic that you should get?

MXL 770 Vs AT2020

Tonal Characteristics
As both MXL 770 and Audio-Technica AT2020 are condenser microphones, they share some similar characteristics. As you may have expected from condenser mics, they are both typically quite bright in audio reproduction. They can capture excellent details and accurate tones, with decent clarity and pleasant crispiness. Also, they both require the 48V phantom power in order to operate. They both are cardioid, which means that they pick up sounds the best from the front, while attenuating the sides and especially the rear. (See also: MXL V67G Vs MXL 770)

Technical Specs

MXL 770AT2020
- Frequency Range: 30Hz-20kHz- Frequency Range: 20-20,000 Hz
-Polar Pattern: Cardioid- Cardioid
- Sensitivity: 15mV/Pa- –37 dB (14.1 mV) re 1V at 1 Pa
- Output Impedance: 150 ohms- Output Impedance: 100 ohms
- Equivalent Noise: 20dB (A weighted IEC 268-4)- NOISE: 20 dB SPL
- S/N Ratio: 74dB (Ref. 1Pa A-weighted)- SIGNAL-TO-NOISE RATIO 74 dB, 1 kHz at 1 Pa
- Power Requirements: 48V phantom power (+/- 4V)- PHANTOM POWER REQUIREMENTS 48V DC, 2 mA typical
- Size: 59mm x 158mm/2.32 in. x 6.22 in. - Weight: 1 lb/453.59g- DIMENSIONS: 6.38" (162.0 mm) long, - 2.05" (52.0 mm) maximum body diameter

However, like many other MXL mics, MXL 770 can be very bright. It is certainly brighter than Audio-Technica AT2020, to the point where it may sound a little bit too raw at times. This is good for weak vocals and instruments that struggle to keep their presence in the music. However, for louder sounds and more powerful voices, it may sound too harsh. Though, MXL 770 can indeed handle louder voices than Audio-Technica AT2020, as MXL 770 has a slightly higher maximum SPL handling of 144 dB, compared to Audio-Technica AT2020’s 137 dB max SPL handling.

On the other hand, Audio-Technica AT2020 can be quite more versatile than MXL 770. Audio-Technica AT2020 comes with a wider frequency response range than MXL 770. Audio-Technica AT2020 has a frequency response range of 20 Hz – 20 kHz, while MXL 770 comes with a frequency response range of 30 Hz – 20 kHz. As you can see, Audio-Technica AT2020 is especially able to reach lower frequencies. As the effect, it can deliver better bass performance, with fuller and more solid lows. The slightly smoother audio reproduction is suitable for a variety of vocal types.

Additional Features
Perhaps you would like to know that MXL 770 is a little bit heavier than Audio-Technica AT2020. MXL 770 is also slightly bulkier to the sides, though Audio-Technica AT2020 is the taller one.

Coincidentally, both mics have similar self-noise levels. They each has an equivalent noise level of 20dB-A, which is not too noisy and acceptable for professional purposes.

MXL 770 is also equipped with some additional features: a pre-attenuation pad and a high-pass filter. The pre-attenuation pad can be switched on to -10 dB to tame down excessively loud voices. Meanwhile, the high-pass filter is switchable to attenuate sounds under 150 Hz with an attenuation of 6dB/octave.

MXL 770 Vs AT2020

- Gold-sputtered, 6-micron, low distortion diaphragm
- FET preamp with balanced output
- Switchable bass cut and -10dB pad
- Legendary MXL sonic characteristics
- Comes with shock mount and rugged carrying case
- The price/performance standard in side-address studio condenser microphone technology
- Ideal for project/home-studio applications
- High SPL handling and wide dynamic range provide unmatched versatility
- Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

While the two are very similar to each other and perhaps are both quite versatile, MXL 770 is more suitable for rap and female vocals, in which the brightness can create a good audio effect. On the other hand, Audio-Technica AT2020 is more suitable for different vocal types and instruments. For naturally lower voices, Audio-Technica AT2020 is the better choice here due to the lower edge of its frequency response range.

MXL 770 Vs 990 Comparison

Are you in a disquiet because you are unable to choose between MXL 770 and MXL 990? Of course, both of them are condenser microphones that can be used with a computer via the USB connection. However, they are being priced a little bit differently from each other. You may have guessed that MXL 990 is pricier than MXL 770 due to the numbers in their names, and you are correct. The price gap is not a very huge one, but still is a reason to carefully choose between the two. MXL 770 and MXL 990 are, in fact, quite different from each other. Here is the comparison of the two models.

MXL 770 Vs 990

Before we continue this article, let us also take a look at MXL 770 Vs AT2020 Comparison at glance.

MXL 770 is a microphone colored in black with some golden lining and font. On the other hand, MXL 990 is silver, with black lining and font. They both weigh similarly and are of the same size. However, you should take a note that MXL 770 has a cardioid polar pattern. MXL 770 captures sounds the best from the front, while attenuating the sides and especially the rear. As the effect, MXL 770 can be somewhat less prone to ambient noise. On the other hand, MXL 990 has a 90-degree X/Y stereo polar pattern, making it capable of recreating a realistic sound imaging, but it can also be a little bit more sensitive to ambient noise as well. Both of these mics are perhaps better suited for usage in a treated environment, because, in general, they are both very sensitive to capture subtle sounds.

Technical Specs

MXL 770MXL 990
- Gold-sputtered, 6-micron, low distortion diaphragm- 3/4" gold-sputtered diaphragm
- Frequency Range: 30Hz-20kHz- 30Hz-20kHz frequency response
- Max SPL for 0.5% THD 137dB- 130dB maximum SPL
- Sensitivity: 15mV/Pa- Sensitivity: 15MV/pa
- Equivalent Noise: 20dB (A weighted IEC 268-4)- Equivalent noise: 20dB (A-weighted) Wired with Mogami cable

The features that these microphones come with are not always specifically mentioned, so we may sometimes fail to acknowledge the features available in each. Nonetheless, MXL 770 comes with a switchable 6dB/octave @150Hz high-pass filter and -10dB pre-attenuation pad. These features can be very beneficial in usage. You can have the edge to reduce the presence of low-frequency noise, eliminating wind and breath sounds as well as vibrations, while boosting the midrange and treble, effectively bulking up the presence of the vocal or instrument at hand. On the other hand, MXL 990 does not have the bass cut filter. Instead, it comes with a three-position pre-attenuation pad that can be set in Hi (0dB), Medium (-5dB), or Lo (-10dB).

They also have different frequency response ranges. MXL 770 has a frequency response range of 30 Hz – 20 kHz, while MXL 990’s frequency response range is 20 Hz – 20 kHz. As you can see, MXL 990 can actually reach and capture lower frequencies, making it able to deliver fuller and more solid bass.

Output Quality
Comparing the output of the two microphones, they are indeed noticeably different from each other. Both are very sensitive to subtle sounds, for sure, and they can capture all the subtle details of the sounds coming in. However, MXL 770 is the warmer one between the two. MXL 770 especially emphasizes the midrange. On the contrary, MXL 990 sounds quite brighter, and there is a little bit more presence of bass and treble.

MXL 770 Vs 990

- FET preamp with balanced output
- Switchable bass cut and -10dB pad
- Legendary MXL sonic characteristics
- Comes with shock mount and rugged carrying case
- With Shock Mount has a silky, sweet high end while retaining tight, solid low and midrange reproduction
- Attractive vintage body style with champagne finish
- Includes custom shock mount, mic stand adapter, and case
- Requires phantom power

In general, MXL 770 and MXL990 are both decent mics. You should pick MXL 7770 is you prefer a warm mic that especially boost the midrange, or if you are more comfortable with a cardioid polar pattern. To capture a more realistic stereo image, you can pick MXL 990.