Microphones are the basic audio equipment that you may want to consider first since different models have different sound quality and character depending on what the unit is made for. For those who are going to record audio for their video, Sennheiser MKE 600 Vs Rode VideoMic Pro Plus are two amazing options to have in your setup. If you are also eyeing these microphones, do check what they can offer below before deciding which to go for.
In this article, we are going to give you information about:
- Are You Currently Looking for Microphone
- What are Sennheiser MKE 600 and Rode VideoMic Pro Plus
- What Sennheiser MKE 600 and Rode VideoMic Pro Plus Look Like
- What are the Specification of Sennheiser MKE 600 and Rode VideoMic Pro Plus
- How are the Performance of Sennheiser MKE 600 and Rode VideoMic Pro Plus
- What else Sennheiser MKE 600 and Rode VideoMic Pro Plus can offer
- Sennheiser MKE 600 Vs Rode VideoMic Pro Plus
Microphone for Video Recording
We have a lot of people to thank for how the technology is developing today. From the invention of the telephone to now everyone can have access to tons of content as well as information right on their hand, everything seems much simpler in the present day. For those working with audio, the equipment evolves a lot but the essence is still the same revolving around the transducer and processing unit. With everything equal, your microphone, external condition as well as speaker are deciding how the audio turns out without any tweak.
If you are here then it means you are a video creator or content creator who needs to improve their sound quality. For recording, most commercial consumer cameras have their built in microphone already including those action cameras but quality wise they are also not the best. Just like how the speaker in public places sometimes sounds very ugly that we can’t even distinguish the speaker’s message, microphones are also prone to experience such problems; this is of course not something we want to see in our content.
One of the biggest reasons as to why it is best to record the best audio you can obtain during filming is because it is a tough job to edit it in post-production. We do edit pictures and video a lot and they are complicated as well but audio is on a different level if you record it in poor condition or with poor hardware. Even removing ambient noise can take so much time and stressful days which is why it is better to save the time by doing better during production.
There are various options to use during your production and one of the most we often see being used or also used is the lavalier clip. Lavalier microphones are those we often see on a speaker clothing mostly their shirt be it visible or in their inner layers fabric and it is good to prevent ambient noise. It is a great choice for those with speakers moving around since it follows the source directly while also keeping what’s not necessary away. Another reason to have them is due to their affordable cost.
| Sennheiser MKE 600 | Rode VideoMic Pro Plus | |
|---|---|---|
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| Product Dimensions | 10.08 x 0.79 x 4.02 inches | 4.3 x 6.69 x 2.59 inches |
| Shipping Weight | 15.2 ounces | 4.3 ounces |
| Shop now at Amazon | click here | click here |
If you want to put more effort into production or can invest more, we actually recommend getting a shotgun microphone. They are the best when it comes to directionality so we can keep everything as simple as possible as they do have a very narrow pick up pattern. These slim and long microphones are capturing sound only from the front and rejecting the rest means we don’t have to deal with unwanted sources; just point it at a source and it will focus on it while ignoring the rest.
About Sennheiser MKE 600 and Rode VideoMic Pro Plus
Since this is a very common task for a microphone, you will find lots of options out there that are offered to work best in such an environment. Most microphones or audio gear brands will have at least one model in their catalog to provide their customers, but quality or characteristic and user experience is a subject to vary among models. Usually, they are working very well however, while in detail one or more may sound better to your ears.
While they may look intimidating at first, there are plenty of good options without the hefty price so you don’t have to spend thousands just to get a reliable microphone, unlike when shopping for recording microphones. When talking about this basic audio equipment, Sennheiser and Rode are two giants in the market that almost everyone is already familiar with. We personally prefer to go with known names because they are often more reliable as well as offering wider choices to consider.
For those who want to keep the budget fairly low at around $300, we recommend Sennheiser MKE 600 and Rode VideoMic Pro Plus to be in your camera setup. Both of them are very popular for video content makers such as YouTuber and similar users as they are made to work in pair with your camera in order to improve their audio quality. These are shotgun models and best in this application whether you want to film a talent presenting something or doing some interviews regarding certain issues.
Many are loving these professional yet modest microphones for their sound quality. Overall what you will listen from them is much clearer audio as well as lesser ambient noise but depending on the environment where you have produced the video, it doesn’t mean there won’t be post-production editing when using Sennheiser MKE 600 and Rode VideoMic Pro Plus. In addition, we do think they sound good but slightly different with a personal preference more toward Sennheiser.
Sennheiser MKE 600 and Rode VideoMic Pro Plus Design
As you can expect, these are shotgun models hence should be very compact but, they are actually very different in design. Let’s start with the MKE 600 first and as you can see, this one looks like the typical shotgun we have in mind when talking about the microphone and you can put the windscreen as well to reduce noise. The built quality is good but not the best and besides booming, we can also mount them on camera in which the shock mount set already comes in the box too.
For the VideoMic Pro Plus, it still has the same Rycote Lyre suspension system. The soft plastic material is working as a shock mount to make sure there is less unwanted noise from the way we handle the unit. It comes with a large windshield which is claimed to be optimized that made this microphone more compact than its predecessor. What’s amazing is their battery door because this model now redesigned with a hinge assisted battery door that will cut the fuss over replacing batteries.
Sennheiser MKE 600 and Rode VideoMic Pro Plus Specification
Moving further, let’s check what Sennheiser MKE 600 and Rode VideoMic Pro Plus can offer to you and starting with their specification, both of them are supercardioid microphones which means only capture sound source from the front of the unit. The frequency response itself is very standard from 20 Hz to 20 kHz while the former started from 40 Hz, just like most microphones like Studio Rode NT1A Vs Studio Projects C1. As for the sensitivity they are close to each other at 19mV/Pa and 21.2mV.
Sennheiser MKE 600 and Rode VideoMic Pro Plus Performance
Now for the sound quality, we do think both of them are very good options to consider for videographers. Starting with MKE 600, this supercardioid or lobar microphone is working well in rejecting noise but can capture from a further distance too yet, the drawback of every shotgun must be placement since we need to tailor the position or keeping the speaker in the best spot. While Pro Plus shows a significant peak +5dB at 4Hz, the MKE 600 shows dip in 40Hz at about -13dB while also peaking 2-4 dB on higher frequency.
These two can still be considered as neutral microphones in application which keeps the booster modest in where it is needed. While being flat, Sennheiser MKE 600 and Rode VideoMic Pro Plus sounds are not flat at all and their slight boost on the higher range are proven to add clarity in your speaker voice to prevent the dull nuance around it. However, considering all settings stay the same, you may notice more background noise, something that is low and constant when recording with Rode.
Sennheiser MKE 600 and Rode VideoMic Pro Plus Features
The last part we want to mention here is the features collection in which Rode VideoMic Pro Plus will offer some in comparison to the simplest MK 600. We have mentioned that the latter capture some of background noise as it also has better bass range but to handle the possible problem, you can use its bass-cut switch. If you think the sound needs more brightness, we can activate its +7.5dB peak switch as well yet, personally we do think it turns out harsher.
To power your microphone, we can use a battery for each one of these models but Rode has a rechargeable battery and overall more convenience system to replace it in comparison to Sennheiser but, the rival is powered directly using a phantom while your Rode uses a USB port.
Sennheiser MKE 600 vs Rode VideoMic Pro Plus
Both of these microphones are amazing for your video recording activities. They are mostly flat but not dull as they also boost some of the parts across frequencies mostly on the top yet you will get more bass coming from Pro Plus which may or may not wanted depending on the situation. To handle it we can cut the lower range or even boost to add treble when needed. In addition, while MKE 600 can be powered using phantom, the Rode is powered via USB besides through batteries.
Conclusion
All in all there is no bad option between the two so you can safely go with any model but, without a tweak we personally like MKE 600 sound better yet for convenient, we also prefer Rode the most and if you are also like this microphone, it can save you some too since it is cheaper.